music ethnography books

Well, you couldnt get a sense of all that by way of historical or semiotic analysis. As has always been the case, the makers of music continue to respond to dramatic cultural and social shifts impacting human cultural worlds with adaptive and innovative new forms. However, this apparent shift away from colonialist approaches has met with criticism for failing to acknowledge the potential of formalism to be equally, if not more, decolonising. In large part these are being sidestepped, secondary to a burning desire for global solidarity in challenging times and a growing interest for music-makers in often small-scale cultural worlds to be globally heard. I wonder if Im going to last the day in Vancouver or some other metropolis or if my ears are going to blast before Im due to go back home to my soundscape heaven. Ethnographic researchers of music often and necessarily come from a wide variety of interdisciplinary backgrounds, which, from differing angles, examine the ways in which musical practices create and define many aspects of peoples social worlds. Thus, the beauty of this book comes from its own internal diversity. Two booths are available by reservation. Against the contemporary context in which the COVID-19 pandemic has dramatically altered the ways that musicians can gather and make music together, we consider the question of research on music from interdisciplinary perspectives and the varied positions of researchers, musicians and community members. They also illustrate the increasing desire of localised communities to share their music with a broader world. The city, in this sense, becomes a very unique soundscape that each of us can choose. Denzin and Lincoln (1994) have described the crisis of representation that occurred in the 1980s, when previously settled issues about the assumptions behind the presentation of ethnographic accounts and the criteria used to assess their validity were challenged. Some aspects of ethnography: If an item is not available at the University of Alabama libraries, you may request itthrough ILLiad, our InterLibrary Loan system. Is it a good thing that iPods allow us to escape our immediate reality into the world of music any time we choose? The Libraries' Catalog is a "traditional" library catalog of local holdings. Soethnographyis specific,ethnologyis generic. Music, as one of the more formalised facets of cultural life, and being closely linked to identity, is arguably one of these core practices that is most subject to this anxiety and urgency in a rapidly changing world. How do you know what you find is actually an ethnography? Despite these challenges, creative responses have blossomed with many musicians innovatively shifting their attention to livestreaming and recording of performances, hosting virtual jams and further adaptations to musical practices in the place of face-to-face interaction. In mid-March with an abrupt halt mid-way through their 25th Anniversary North American Tour, the cast of Riverdance had to return to their homes in Ireland, UK, USA, Canada, Spain, Australia, Moldova, Ukraine and Russia. Ethnography is a qualitative research method that comes from the discipline of anthropology; the in-depth study of a culture or a facet of a culture (such as music). We use cookies to improve your website experience. I live on a very small island, populated by few people who tend to live quite apart from one another. It is for this reason that valuing musical traditions, validating diverse forms of creative expression through scholarly interest and facilitating the continuation of tradition (Fargion Citation2009, 769 cited in Lundberg Citation2019, 228) through documentation, archiving and collaboration are all valuable contributions that researchers can contribute to the understanding of human cultures and the empowerment of the communities with which we work (see Curran and Sims, this issue). How does music affect the way we behave in society today? Music, in this sense, is used as a means to an end whereas traditionally, as a form of art, music ought to be made and consumed for its own sake. The Professor of Communication and Culture enlightens us about musical enthnography what people do with music, and how they interact with music (and with one another) 1 Music in Everyday Life by Tia DeNora 2 Sound Moves by Michael Bull 3 Club Cultures by Sarah Thornton 4 Music Scenes by Andy Bennett and Richard A Peterson As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. More recently, ethnography has been appropriated by both management academics and health . This guide provides information on using library and web resources to find books, journal articles, scores, recordings, and digital projects. Yet for musical genres that have been passed down over generations in culturally specific contexts and are important to many social functionsmany of which are at risk as they are not being passed on to younger generationsthese restrictions may have far-reaching consequences for the transmission of musical forms to future generations. Meanwhile recontextualisation, to a Christian context in the settlement of Alekerenge and a hip-hop context at the Milpirri festival in Lajamanu, has maintained the continuity of the tradition in those places. Like many non-Indigenous scholars who emphasise the importance of personal relationships and responsibilities in research, Aaron Corn asserts that contemporary ethnomusicology in Australia is driven by an ethos of engagement that seeks to deliver applied and relevant outcomes for the musicians and communities whose lives and cultures ethnomusicologists examine (2009, 22). 1. The Value of Ethnographic Research on Mu . : The Value of Ethnographic Research on Music, Ethnographic Research on Music for the Global Context, Musical Traditions Within Global Contexts, Engaging with Music Sustainability (and) Activism, https://www.ethnomusicology.org/page/AboutEthnomusicol, http://hdl.handle.net/2196/00-0000-0000-000F-CB5E-2, https://scholarspace.manoa.hawaii.edu/bitstream/10125/24905/1/ldc-sp19-cardoso.radhakrishnan.costa.pereira.pdf, https://ethnomusicologyreview.ucla.edu/content/decolonizable-spaces-ethnomusicology#_ftn1, https://lemondeestenflammes.bandcamp.com/, Medicine, Dentistry, Nursing & Allied Health. Recent global movements have shed light on injustices including sexual violence against women (#metoo); police and state violence against black people (Black Lives Matter or #BLM) in America and around the world and including against Indigenous people in Australia; racism; casteism; homophobia; transphobia; the climate catastrophe; the refugee crisis and harsh asylum seeker policies; ableism; the stigmatisation of mental health; child trafficking and abuse; the rise in authoritarian leadership and global inequality. Linda Tuhiwai Smith provides a useful framework for carrying out research with Indigenous people which privileges indigenous concerns, indigenous practices and indigenous participation as researchers and researched (Citation2013, 107). 4.19 avg rating 3,204 ratings. This is the reality of capitalism (LMF Citation2020). Usually written in the first-person voice, autoethnographic work appears in a variety of creative formats; for example, short stories, music compositions, poetry, photographic essays, and. Dan Lundberg (Citation2019, 224) describes this dynamic process as the archive loop: When the collections of archives are presented in publications and then re-used by new users, they are affected by the changes that result from cultural heritageing. The Cultural Experience: Ethnography in Complex Society. Ethnography is about being where the action is, and taking part in it. The UA Libraries can help you create audio projects, such as voiceovers and simple keyboard and acoustic instrumental recordings. DOI: 10.1146/annurev-anthro-092611-145851. What would you do there? Scout simultaneously searchesthe library catalog, databases of scholarly work(e.g., JSTOR and RILM), electronic collections (e.g., HathiTrust), streaming media (e.g., Naxos and Alexander Street Press), and much more. This special issue has its foundations in a conference panel titled Valuing research on musical traditions and performance practices held in Canberra as part of the Australian Anthropology Society meeting on 3 December 2019. Clear rating. This is a globalised context in which the challenges and tensions of continuity of tradition interface with the concerns of Indigenous rights activism, imbuing the performance with a new kind of value. Their article focuses on a mens public ceremonial dance called purlapa, specifically on a performance by Sims at the Aboriginal Tent Embassy, which took place during a visit to Canberra. His award-winning book, Accidental Ethnography: An Inquiry into Family Secrecy, was published by Left Coast Press in 2009 and reissued as a classic . 3099067 Refreshingly devoid of interpretation and analysis, Ngs series has promoted individual musical assertions of identity as self-produced and fluid. Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine. It walks its talk. Rate this book. Remember that many ethnographies do not have the word ethnography in their titles. . Subculturalists are a lot more playful than originally thought, and lot more diverse within their own scene than previously argued. The ubiquity of music in cultural life, the myriad ways in which it delights and moves people, and its rich scope for cultural significance at many levels, make it an important object of inquiry for an anthropologist. This book, in a way, is thus less about music and more about aurality and hearing. In this book, Christopher Poulos provides a step-by-step guide to writing autoethnography, illustrating its essential features and practices with excerpts from his own and others' work. Amidst these concerns, music continues to remain a core expression of and means for performing cultural identity both within groups and to a broader world. Morais reflects on her experience and positionality as an outsiderresearcher, changing community attitudes to sharing knowledge openly as well as the agency of the women involved at the time of her fieldwork and now in the midst of this new project; and how all of these have combined to give value to the tradition. by. And how often are significant events within the cultural life of communities accompanied by music and dancing to such an extent that understanding these temporal arts is key to understanding the event itself? flag. The catalog may be used to findprint books, sound recording, films, and scores, as well as some e-books and streaming media assets. Use truncation symbol (*) in case either term has been pluralized, Use filters on left sidelimit RESOURCE TYPE to books and collection to MUSIC AND DANCE. Field notes are detailed and descriptive enough so that another person could read them and feel like they were there with the ethnographer. The present Introduction primarily relates to the first five papers in this issue by Megan Jones Morais, Mahesh Radhakrishnan, Nicholas Ng, Sudiipta Shamalii Dowsett, and Georgia Curran and Otto Jungarrayi Sims. Ethnography relies on participant observation as its key data collection method. As an anthology its purpose is less to advance an exhaustive argument than it is to generate ideas and give a sense of evolving traditions, concerns and concepts. The contribution to reducing intolerance [] teaching respect for difference and the recognition of the advantages of diversity (Citation2019, 28). There areseveral approaches to finding ethnographies;each depending on your knowledge or comfort level with the course material. Ethnography pays attention to insiders, and it does so by asking something unique from the researcher: to view the world from the perspective of those she is studying. But of course scenes arent just anchored in places intended in the traditional sense: there are internet-based scenes, and also scenes that travel like bluegrass communities, or like transplant scenes. Cited by lists all citing articles based on Crossref citations.Articles with the Crossref icon will open in a new tab. Current issues are available through the Scholarly Publishing Collective. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Our shared social experiences are surrounded by music: shaping youth subcultures, forming the banal backdrop to shopping centres and other aspects of bourgeois life, marking the rhythms or simply passing time spent at work, heralding the passing of milestones and the undergoing of rites of passage, carrying the last vestiges of cultural memory, conveying the supposed essences of patriotic sentiment in national anthems or aspiring to highlight and foster the interconnectedness of all humanity. Phillip Vannini is an ethnographer and author. Ethnographic data comes from the ethnographers field notes, which are written daily logs, almost like journals, that describe daily life and events that theethnographer witnessed and took part in. I am incredibly old fashioned about these things. For communities of music-makers, traditional practices that have been passed on to them over generations often inform and are crucial to their practice. To a great extent this is one of the key concerns of all ethnographic research: music scenes are ways for people to make sense of the world around them, to give and find meaning in life. Music sustainability activism reflects what Hemetek and colleagues (Citation2019, 8) refer to as an applied or engaged approach, since it focuses on benefiting the community, reflecting the concerns of applied anthropology. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. In what way? Up-to-date and clearly written, it is a rich mine of information for lovers of music of all periods and styles.Written by Michael Kennedy, a renowned authority on classical music . Welcome to the research guide for music and ethnography! The archetype of the social justice warrior, popularly used by conservative forces to ridicule and dismiss attempts to address injustice or even cast a critical lens on it, is an example of how normalised and respectable injustice has become (see Phelans (Citation2019) discussion), frequently being defended by its powerful adherents as the other side of an argument or for balance. Punk Ethnography: Artists & Scholars Listen to Sublime Frequencies (Music / Culture) Paperback - Illustrated, October 18, 2016 by Michael E. Veal (Editor), E. Tammy Kim (Editor) 5 ratings Part of: Music/Culture (49 books) See all formats and editions Kindle $22.99 Read with Our Free App Hardcover $85.00 3 Used from $19.99 1 New from $85.00 3.90 avg rating 10 ratings. Ethnography is a qualitative research method that comes from the discipline of anthropology; the in-depth study of a culture or a facet of a culture (such as music). Ten years later the literature on popular music is still lacking in ethnography. Many ethnomusicologists interested in traditional music forms take this challenge seriously and know they need to be activists for continuity to some extent as much as observers and documenters of change. In many of these approaches, the value to Indigenous worlds is primary and may significantly shape the forms of research contribution (Kovach Citation2010). Dr. Liz Przybylski is an interdisciplinary popular music scholar who specializes in hip hop in the United States and Canada. Responding to the proliferation of ethnography both within and outside of academia, in this book, Anthony Kwame Harrison grounds ethnographic practices within the anthropological . 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. For ethnomusicologists, anthropologists and scholars in general, it is crucial that research bears witness to these important crises and provides critical perspectives and constructive discussions in the struggles of feminism, anti-racism, rights for Indigenous peoples, migrants, children, ethnic minorities, refugees, people with disabilities, and LGBTQ+ peoples, the ecological crisis and other inequalities that have resulted from the current trends towards increased neoliberalism and the normalisation of authoritarianism. Amazon.com: Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods): 9781544320328: Przybylski, . The historical legacies of ethnomusicology and anthropology in connecting us as scholars to BIPOC (Black, Indigenous, People of Colour) communities and the Global South, despite the colonialist underpinnings, provide us with a unique opportunity, particularly at this time, to highlight the value of the music, languages and cultures of peoples who have been marginalised because of the normalisation of white supremacy in the world order. This genre presents an interesting case study for the power of diasporic identities to strongly evoke a sense of homeland and the power of music as a vehicle of authentication. The study of music in the context of customs and culture. To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. Taste cultures emerge around coalitions of peoples determined shared definitions of these things. Felds work also highlights the importance of diverse and interdisciplinary approaches to the ethnographic study of music (Seeger Citation2019), approaches that foreground the place of music within the whole sonic world (Feld Citation1990) and everyday cultural context of a community. Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. While Agawus thesis supports the utility of formalism (see, also, Byl and Sykes Citation2020, 206210 for similarly nuanced arguments regarding comparativism), the importance of decolonising approaches, including the more contextually and ethnographically grounded, should not be underestimated. It is the spirit of these issues that we raise in this Introduction, emphasising how ethnographic research on music, with its holistic and inclusive focus, can assist communities of musicians to be heard, seen and respected for their culturally distinct ways of life. Michael Bull is a very influential writer in a new field called sensory studies. Tell me about Sarah Thorntons argument. 5 As we write, COVID-19 cases are surging in Papua New Guineaone of the worlds culturally and linguistically most diverse nationsraising grave concerns for the communities affected, and giving greater urgency for their stories, songs and sonic worlds to be represented. Particularly powerful is the way that traditional forms find a new home within the context of hip-hop songs and the ways in which hip-hop has the potential to create for its participants traditional community contexts, what one of the performers, Wire MC, calls the modern corroborree. The Libraries' Catalog is a "traditional" library catalog of local holdings. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at editor@fivebooks.com. For example, an ethnographer studying the religious practices of a culture would both attend religious services and also participate in them, in order to truly understand these practices from an insiders point of view. Think mud huts and pith helmets: months or years living among the 'natives', immersed in the strangeness of a distant culture and producing what Clifford Geertz called thick description [1]. Ethnographic methods generally pertain to the principal qualitative research methods of participant observation, fieldnote writing, ethnographic interviewing, and the ethnographer's participation in music and dance as formal and informal processes for the study of musical actions and behaviors. Use either'ethnography' OR 'ethnology'in combination with thename of the peopleyou're researchingorthe geographic regionin which they live. Annual Review of Anthropology 41:519-536. Here the study of music takes a very strong embodied turn. Rather, it is a form of pastiche, of bricolage. The word "ethnography" also refers to the written report of the research that the ethnographer produces afterwards. Of course its not just used for the study of music, but within this context it works particularly well because of its elegance and simplicity in revealing the everyday life dimensions of musical production and consumption. This ground-breaking case study examines record production as ethnographic work. Maps, Mining, and the Cultural Future in Central Australia, Neoliberalism, the Far Right, and the Disparaging of Social Justice Warriors, How Does Ethnomusicology Matter? For good books to understand Jimmy Carter and his presidency, it's important to understand the context in which he was elected and served as president, argues political scientist Robert Lieberman. So what Im trying to say is that whether I love it or hate the soundscape that Im in is always fascinating to me. Of peoples determined shared definitions of these things record production as ethnographic work semiotic analysis way is! Between ( Qualitative research Methods ): 9781544320328: Przybylski, journal articles, scores, recordings, taking! With the course material localised communities to share their music with a broader world of historical or semiotic.. Powered by our AI driven recommendation engine which they live read them and feel they! Historical or semiotic analysis crucial to their practice i love it or hate the soundscape that Im in always! Available through the Scholarly Publishing Collective dr. Liz Przybylski is an interdisciplinary music! 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